Ship your music
everywhere.

At other people’s identities. Voice clones, soundalikes and anything using the voice or likeness of an identifiable artist without their written consent have no place here, which is also what protects your name and your artist pages from someone else doing it to you. Everything else built with AI is welcome.

To all major streaming platforms worldwide (Spotify, Apple Music, YouTube Music, TikTok, Amazon Music, Deezer, Tidal and more), with release scheduling and full UPC/ISRC handling. You choose the stores on every release: they are all switched on by default, and you can turn any of them off before you submit.

Usually within a day. We aim to have every release on its way inside 12 to 24 hours. From there you can watch it go live store by store from your dashboard. Set a future release date and we hold it and deliver on the day, so the stores have time to line it up.

Lossless audio: WAV (16, 24 or 32-bit) or 16-bit FLAC, 44.1 kHz to 192 kHz, stereo, up to 2 GB a track. Cover art square, 3000 × 3000 or larger, without transparency. Those are the specs the stores themselves want, so a release that arrives this way goes straight out.

Content ID and similar UGC fingerprint networks (YouTube Content ID, Meta Rights Manager) automatically claim other people’s videos that use your recording. They only accept material you own outright, so covers, public-domain works, licensed samples or beats, and fully AI-generated audio are not eligible: submitting them registers false claims against other creators. Run therefore leaves Content ID switched off by default, so you never claim something by accident. Turn it on per release whenever the recording is entirely yours.

Paste a link, URI or ID from either store and Run verifies it live against the store and shows you the profile name it found, so your release lands on the right artist page instead of creating a duplicate. If you have never released before, choose “new to streaming” instead. The stores create your pages on your first delivery and Run picks them up automatically from then on.

Yes. Bring the licence and they ship like anything else. Mark a track as a cover and you attach the cover or mechanical licence; mark it public domain and you attach proof of that status; declare licensed samples and you attach the clearance. It is one upload in the release flow, and Run keeps it on file with the release. Remixes work the same way, on written authorisation from the original rights holders. Run does not provide clearance services itself.

Statements sync automatically as the platforms report, and your workspace breaks every period down release by release, with a one-click CSV export. No black box. All the money maths is done in exact units and reconciled against what the distributor reports, so the totals tie out to the cent. On the free plan Run takes a commission that covers distribution and curation; on the paid plans you keep up to 100% of standard-DSP royalties. See the plans above for the exact split.

Zero tolerance. No bots, incentivized plays, pay-for-streams, or playlist manipulation. Accounts caught using artificial streaming are removed and their releases taken down.

By default your releases go out under Run’s own label, and the rights lines on every release and track still credit you. A custom, store-facing label name (the one listeners see next to your release) comes with the Business plan, along with multi-artist roster management for labels, managers and collectives.

Not yet. AI mastering, plus marketing and release-planning assistants, are built and priced but not switched on. They arrive as separate services inside the workspace. Everything described above ships today.

Run is the single point of contact for your whole catalog, so you never deal with an upstream distributor. You can request a takedown from your dashboard and it goes out across every store, with each store confirming back; urgent copyright and impersonation notices are actioned fast. Paid plans get faster response times, and Business adds dedicated support.